Murder One - May

Title: Body Language, Lying, and Manipulation

Instructor: Dr. Cynthia Lea Clark, PsyD

Class Description: Crossing one's arms - bored or cold? Playing with one's hair - interested or bored? Looking to the left - telling the truth or lying? Our body gives clues to what we are really thinking. What we are speaking may not be what we really mean. Every inch of our body speaks -- from the direction our feet point to, to how we shake hands, to how and if we lean and so much more. In this course we will tap into some of what the body is saying when we cross our legs or how we cross our legs, to smiles, to shoulder bounces, to handshakes, and much more. etc. We will explore the world of lying and tells. We will explore body language used to persuade/manipulate and how to use body language to not be persuaded/manipulated. How do you characters stand? Do they flirt? Are they sending the right signals?

Instructor Bio: Dr. Cynthia Lea Clark was born and raised in New Orleans, Louisiana. She began her acting career with the Repertory Theatre of New Orleans, under Miss June Havoc. As former a Miss Chicago (Miss USA), she continued school, graduating from Northwestern University (multiple degreed), attended nursing school, and became a Firefighter Paramedic. After working as an actress in Chicago, she moved to Los Angeles where she worked on many television shows, such as DAYS OF OUR LIVES and STAT, while continuing her education with a Masters of Psychology and then a Doctorate of Psychology. While working on STAT, she was stalked which led her to work in Forensic Psychopathology. She has over 70 interviews with serial killers, mass murderers, etc. Her work on stalking led her to work on Terrorism. She founded CrimeInMind with former FBI agent and author Rae Monet. She teaches classes on the Criminal Mind, Criminal Characteristics and Terrorism. She is a Master Hypnotist and has recently completed a second PhD with emphasis on Body language and manipulation. Today she mixes Forensics with writing and acting.

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